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From Microbiology to the Magic of Kathak: Arpita Banerjee’s Journey to the Stage

Arpita Banerjee, a renowned Kathak exponent, recently captivated audiences at the Caudan Centre with a stunning performance. Originally on the path to a career in microbiology, she made the bold decision to follow her passion for Kathak, a classical dance form rooted in storytelling. Her recent production, Hansini, brought together two distinct artistic traditions – Indian Kathak and ballet, through Tchaikovsky’s Swan Lake – in an unprecedented cultural fusion. With Indian classical instruments such as the sitar and tabla accompanying ballet for the first time on stage, Banerjee’s innovative choreography highlighted her ability to bridge cultural divides while staying true to the essence of Kathak. In an exclusive interview with BIZWEEK, she reflects on her journey, the influence of her mentors, and her vision for the future of Kathak.

Despite a promising career path in microbiology, Arpita Banerjee, now celebrated as one of Kathak’s most accomplished exponents, chose a different calling. After completing her studies and with job opportunities lined up, she made the bold decision to pursue her true passion – classical dance. “I could have taken the stable route, but Kathak was where my heart truly lay,” she recalled. Supported by her family, she embraced the struggles and unpredictability of a life dedicated to dance, and today, she is renowned for her innovative choreography and emotional depth on stage.

Last Tuesday, at the Caudan Centre, the Kathak maestro mesmerized the audience with a breathtaking performance, blending the precision of Kathak with her innate storytelling abilities. In an exclusive conversation, the dancer opened up about her journey, the challenges she faced transitioning from science to dance, and her continued quest to bring Kathak to new heights on the global stage.

Though her academic path led her toward microbiology, the acclaimed dancer’s relationship with Kathak began at a much earlier age. Growing up in Dhanbad, Bihar (now Jharkhand), Arpita Banerjee was introduced to dance by her mother, a passionate singer who wanted her daughter to learn Kathak after witnessing a performance by Nritya Shiromani Guru Bandana Sen on Doordarshan. “I started learning at two and a half, though I didn’t know left from right,” she joked, reflecting on her earliest days of practice. 

After moving to Calcutta, her mother’s unwavering determination led her to Guru Bandana Sen’s school, where young Arpita would travel two hours each way to study under the revered teacher. “The sounds of tabla, harmonium, and ghungroos as we approached the school filled my heart with excitement,” the dancer remembered fondly. 

 

In a creative twist, Arpita Banerjee choreographed a part of the performance to Tchaikovsky’s iconic ‘Swan Lake’, fusing the timeless composition with Indian classical instruments such as the sitar and tabla

 

Those early experiences laid the foundation for her journey into the world of Kathak, and the lessons she learned during those long hours of practice would stay with her throughout her life. “My guru once told me that the day I can stun the audience into silence, even for just a moment, I will know I’ve truly reached them,” the Kathak maestro shared.

Arpita Banerjee credits much of her artistic development to the guidance of Guru Bandana Sen and to the iconic performances she witnessed as a young dancer. One of the most memorable moments of her early career was seeing Pandit Birju Maharaj, the legendary Kathak master, perform at Victoria Memorial. “Watching him dance in the open air with the grand setting of Victoria Memorial behind him was an experience I’ll never forget,” she shared. 

These formative experiences with such masterful artists deeply influenced Arpita Banerjee’s own style of Kathak, particularly her approach to storytelling. “Kathak, which originally means ‘storytelling,’ remains deeply rooted in narrative. The essence of the dance is to communicate through movement, even when there are no lyrics involved,” she explained. Her mastery of this art of storytelling has helped the artist reach audiences worldwide, regardless of their familiarity with Indian classical dance.

After completing her studies in microbiology, the renowned Kathak dancer found herself at a crossroads. She had job opportunities in science, but her love for Kathak was undeniable. “I knew that pursuing a career in dance would be a challenge, but I couldn’t imagine my life without it,” she shared. Her parents, while supportive, warned her of the difficulties she would face: “They told me that a career in science would provide security, but in the world of dance, stability isn’t guaranteed. But they also told me they would stand by my decision no matter what,” she said.

With their encouragement, Banerjee pursued her passion, completing her master’s in Kathak and eventually earning numerous accolades, such as becoming an empanelled artist with the Indian Council for Cultural Relations (ICCR) and receiving gradation from Doordarshan. Today, she has performed on international stages from the United States to Vietnam, representing the rich tradition of Kathak to audiences across the globe.

The artist’s recent performance at Caudan Centre was a stunning example of cultural fusion. Titled “Hansini”, the production brought together Indian classical dance and Western ballet for the first time, combining the elegance of Kathak with the discipline of ballet. In a creative twist, Arpita Banerjee choreographed a part of the performance to Tchaikovsky’s iconic ‘Swan Lake’, fusing the timeless composition with Indian classical instruments such as the sitar and tabla. “This was the first time ballet was performed live on stage with Indian classical musicians,” she explained. 

The artist praised the collaborative spirit of the Mauritian artists and musicians, without whom this cross-cultural performance wouldn’t have been possible. “There is a connection from the heart with everyone I work with, and that made this production possible,” she noted.

Arpita Banerjee is not only focused on preserving the tradition of Kathak, but also on making it relevant to new audiences. “The younger generation is more drawn to modern dance forms like hip-hop and Bollywood,” she noted, “but once they have a classical foundation, they can explore any style they want.” She aims to engage younger audiences by incorporating contemporary elements into her productions while maintaining the classical roots of Kathak.

In “Hansini”, for example, she blended the classical foundation of Kathak with modern storytelling techniques to create a performance that resonated with both adults and children. The infusion of Tchaikovsky’s ‘Swan Lake’ with Indian classical music was part of this effort to appeal to audiences of all ages. “The idea is to appeal to everyone. Kathak is a living, breathing art form that can grow and evolve,” said the maestro.

Arpita Banerjee has big plans for the future. She is eager to continue exploring new collaborations and innovative choreography that will push the boundaries of Kathak while remaining true to its classical roots. “I want to take this production to other countries and show how Kathak can evolve by blending it with other forms of dance,” she shared. 

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